Mandala Installation (Grid/Circle Meditation Installation), Multimedia

Solo Exhibition Lunar Landscapes of a Poetic Mind, 2022

Components:

Two ceramic forms and projection of a collaborative video

with Youngdong Kim of Alma Studholme's brainwaves (EEG)

during meditation, transformed into mandala patterns.

The second iteration of the collaborative video with Youngdong Kim was staged in September 2022 as a part of Alma Studholme's Doctor of Fine Art thesis exhibition at the National Art School in Sydney, Australia. Incorporated into a new multimedia installation, the video was projected onto the space-in-between two ceramic forms. The projected  circular mandala patterns at times aligned with the curved spiky edges inside the sculptures, briefly highlighting them.

Mandala Installation by A. Studholme

Mandala Installation

Mandala Installation

Salt Mandala, photo by Brett Studholme

Mandala Project Installation, photo by Brett Studholme

Alma    Studholme's brainwaves during meditation.

Stills from video by Alma Studholme and Youngdong Kim.

Salt Mandala  Performance Video, filmed by Brett Studholme

Firing Ensō, Multimedia Installation, 2015

Components:

Porcelain ensō, ensō ink drawing,

calico, projection of the filmed

slip-casting process

(filmed by Belinda Simone).

The work was inspired by the Japanese symbol ensō (circle) that holds an important place in Zen Buddhist tradition. Painted in one brush stroke, with no possibility of further modification, ensō shows the expressive movement of the spirit at that particular moment. It is believed by Zen Buddhists that the character of the artist is fully exposed in how she or he draws an ensō.

The film shows Alma Studholme engaged in the process of making a ceramic version of an ensō. Attracted to the sense of movement created by a quick brushstroke she aimed to recreate a similar kind of energy and movement in a ceramic form. The result is a unique sculpture that can never be replicated because of the number of chance occurrences during the casting process. In this way the Zen Buddhist aesthetic that embraces chance was respected and maintained.

Components:

Porcelain pieces of Ensō sculpture,

raked salt, performance video

filmed by Brett Studholme,

video by Alma Studholme and Youngdong Kim (EEG of Alma's brainwaves

during meditation translated into Buddhist mandala patterns by Kim's software).

The Mandala Project is based on the broken pieces of the Ensō porcelain sculpture featured in the Verge Gallery's 2015 group exhibition Accreation: Un-becoming and the Surface as Sight. The broken sculpture takes a central position in the installation which is a collaborative project with Brett Studholme and Youngdong Kim. Kim's EEG recording of Alma Studholme's brainwaves during meditation shows them transformed into Buddhist mandala patterns that are "broken" at certain intervals by distractions. The ontological states of being fragmented and being whole are explored in visual links between a circle and a single point of focus. Both the raking-performance and the salt-mandala reference the Zen Buddhist gardening practice and aesthetic.

Firing Ensō, Ensō Ink Drawing by A. Studholme

Firing Ensō Performance

Ensō, Porcelain, 53x11cm